Saturday, April 30, 2011

How Do Boats Fuel In The Atlantic Ocean

Farewell to Ernesto Sabato

June 24, 1911 - April 30, 2011
I thank you letter One and the universe (1945), Tunnel (1948), Men and gear (1951), On Heroes and Tombs (1961) and ghost writer and (1963), among others works, and dismissed with the words that he imagined for his tombstone in Abaddon the destroyer (1974):

Ernesto Sabato
wanted to be buried in this land
with a single word in his grave

Wednesday, April 20, 2011

Inflamed Swollen Knee

a Metaphor

Weissel Monica works were exhibited in School of Psychology National University of Buenos Aires . The exhibition incorporates text from José María Marcos.

Monica
The artist presented Weissel the series "metaphor of solitude", consisting of works "Where I come from, where am I going", "Stranger to what," "Last Train", "Liquid" and "Everyday" in the framework of the V Conference on Clinical Chair of the Emergency that developed in the School of Psychology UBA (Hipólito Irigoyen 3242, Buenos Aires), between Friday 29 and Saturday April 30, 2011.
Born in 1973 and based in Europe since 2001, Weissel Monica is a graphic artist, animator and multimedia artist (collage, digital photo montage.) Through experimentation with digital objects and exquisite corpse, in his work highlights the observation of femininity, as a reference and as a world power misunderstood. Thematized the uprooting of the nation itself and that was the fear of rejection and lack of consideration and the difficulty of integrating the experienced as a contribution to the sought.


METAPHOR OF SOLITUDE

Brussels, Buenos Aires or any other city are the metaphor of a solitude inhabited in a dream memory. And as Bet time to bury all memories forged some images to tell us about what we think we have forgotten.
Under the streets of the city-metaphor, deserts or swamps or forests remind us that true communication, in the words of Emil Cioran, is the exchange
without words that looks like a prayer inside.
José María Marcos, on the work of Monica Weissel.

Nelida Alvarez (Footprints in the Art Gallery) and Lorena Hojman (curator and professor of Professional Practice Emergency Clinic), along with the work of Monica Weissel.


Friday, April 15, 2011

Mauri Desert Eagle Gold

lonely ghosts, zombies and grim houses

Generation XXI. April 2011.
horror writer, journalist for twenty years and editor of the weekly current Ezeiza's Word, José María Marcos tells us about his latest book always hungry ghosts on entrepreneurship Bite editorial Dead and the relationship that journalism and terror. Gary Holt interview to Generation XXI (*)

Ghosts, zombies and grim houses do not seem to be a material with which a worker performs daily press, unless it is also a horror writer: José María Marcos does both, has twenty years of journalism and began publishing last three books of horror. Mark has published three books: Memories parasites, written with his brother Charles in 2007 and always hungry ghosts launched in December 2010. Marcos siblings also direct the bite imprint Dead.
- Why did you choose terror as a genre?
-terror, or contemporary horror is a genre that is seen evil socially interests me because it transgresses boundaries of common sense and thought provoking things differently. It allows us to take reality and smash it with a chainsaw in order to put it together again, as explained by British author Clive Barker. As for the contemporary, I am interested in taking a look today, my stories are facts that can happen today.
- What things are reflected in Ezeiza Ghosts ... ?
"I was born in Uribelarrea (Cañuelas), I lived in La Plata and Capital, live long in Ezeiza. My story is a bit on each side. In the story''El Gordo''is a guy who needs to lose weight and his father decided to tie him to not eat for a couple of months. I imagine that story in the Linda Vista neighborhood, in my mind was on those streets, then I changed the name to the city. My stories have that mixture of places where people can find things they read Ezeiza Uribelarrea or Capital.
- What were your literary influences?
"The influences are things that one I hit. I was touched by stories of Ernesto Sabato, Enrique Medina and Stephen King. They were storytellers who work with clear and direct language. They were my first great love of literature.
- How do you perceive the relationship between journalism and literature?
-journalism works on the social agenda, the diurnal, shared hopes. The literature that addresses the issue chose night life nightmares. Are aspects that journalism can not address. The journalist talks about the shared dreams, and literature shared nightmares.
- Tell me about the editorial Bite Dead?
"It created a stamp with my brother Carlos. He is interested in erotic literature, to me the horror. We named it "bites" by erotic collection and "Dead" by terror, but we like literature in general create the library "Neither Dead Nor Bite", where they enter other streams. Immaculate launched by Carlos, a work erotic Ghosts ... , terror, and Weightless , delusional realism written by Fernando Figueras. We try to create a seal to address these literary movements that do not treat other publishers with high quality books and contemporary authors dealing with these genres today.
(*) in April 2011.

Sunday, April 10, 2011

Sympathy Quotes On Flowers



FRIENDS, here are some postcards ... COMBINING THE OLD AND AMERICAN PIN UPS POST WITH SOME OF POEMS FRAGAMENTOS FOUND ON THE WEB. I hope will be useful.






click on the image to enlarge and download to your PC.