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"Sea salt" in the special "Sword and sorcery" magazine Coarse salt

My story "Sea salt " appeared in issue No. 111 Miniature , directed by Ricardo Acevedo E. and Carmen R. Signes Urrea, a dossier on "Swords and sorcery, with authors from Argentina, Brazil, Cuba, United States, Spain, South Africa, Peru, Israel, England, Ireland and Colombia. The cover illustration is of Fraga (Mexico). In Argentina, Pablo Martinez Burkett presents the story "The Necklace Gram" and the article "World Fantasy Swords," and there are stories of Sara Lew ("Five steps to a sacrifice"), Juan Guinot ("Reverse Edge"), Major Lee Taviani ("The woman seeking the vortex of God"), Patricia Naselle ("Losing a fight"), Ernesto Parrilla ("The road to redemption") and Juan Manuel Valitutti ( Alas the wind. ") Who have a presence in more than one story are the Argentines Esteban Blowfly ("Sorcerers have died," "The Ceremony" and "Escape"), Chilean Sebastian ("The Sword", "Gold in the bowels" and " Beast ") and Ana Maria Shua (" The Lurker "," trapeze artist "," Catullus: prayers served "," Bodies "and" The Gypsy "). The full edition can be downloaded HERE .

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By José María Marcos (*)

dilated afternoon heat in the humid pampas.
-storm is coming, "said Aunt Jorja, while drinking mate sitting on the chairs in the garden, we will find the salt.
The imitated when he joined, and walked toward the house. She knew some issues and I knew better than anyone else hear some voices silenced.
-I dreamed of a whirlwind and very destructive, "he explained, when looking in the cupboard jar orange staining. Here, "he said when he finally took the pot that years later someone shot at an oversight.
went to the bottom, accompanied by our dog Batuque, and I saw was a cross of salt on the ground and muttering prayers.
I tried to pay attention to what he said, but only heard his words mingle and talk with the wind.
At dawn, I looked out the window of my room and I could see the heat content of the night. My parents slept. In the distance we saw Refucilo, but no rain. Jorja
Aunt died a few years later and since then I suspect that perhaps the past is just a sad invention.
Today I feel pleasure to visit uninhabited places. No witnesses, hopefully throw rock salt.
Sometimes I perceive the gods, in a breeze or movement of trees, and smiled.
still can not decipher their signals. But I hope that the old wisdom is always there to be discovered. To reveal. At the stalking.
(*) The story is part of the edition No. 111 of Miniature , devoted to the genre shortly fantastic.

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Miniature World

Cracks in the architecture of
order
By José María Marcos
Exclusive INSOMNIA (*)

Argentine writer Alberto Ramponelli interesting work has been developing strongly linked to the best Latin American fantastic literature from the perspective of the poet Maria Negroni, is "derived from the literature Gothic ( fantastic Gallery, 2009). Moron
Born in 1950, the author has created fictions where arcane ways of seeing the world interact, complement and collide with reason, and has published five titles: the story books From the side there (1990) and A custom Oceania (2006) and The last fire novels (2001), comes with night (2005) and Notes for a biography (2009). Ramponelli
edited the magazine Other doors (1993-1997) and coordinates writing workshops since 1985. Clarín Award finalist for Best Novel (1998) and received the Third Award of City of Cordoba Luis Tejada (2007). The National Arts Fund (FNA) distinguished him in Fiction (1996 and 2008) and Carol (1998 and 2004), and chose to integrate anthology 50 th Anniversary of the FNA (2008). He lives in Moron, is married and has three children (Javier, Augustine and Stephen). Speaking to
INSOMNIA , told how his training, gave an overview of his five books, talked about the importance of fantasy literature, said Stephen King "has an enviable narrative grip I've seen very few writers" and referred to the recent adaptation drama of his story "Labyrinth." He stressed that his teachers were Jorge Luis Borges, William Faulkner and Franz Kafka.
The full interview HERE
(*) Insomnia No. 161. May 2011.

Alberto Ramponelli at 37 º Feria del Libro de Buenos Aires (2011).

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Ramponelli Alberto Alberto Ramponelli: the promise of that dream sleep there if we accept

By José María Marcos
Exclusive INSOMNIA (*)

María Negroni says the writer in his fantastic gallery (Siglo XXI, 2009): "I read the literature Latin America as a drift of gothic fiction. In this corpus are contained and feverish night, in fact, all motives and obsessions that make the fantastic Latin America a new form of resistance to the prison of reason and common sense. Originally, you know, Gothic coincides with the Enlightenment and the geometries of knowledge. It is best said, his dark side, crack in the architecture of the order, opens to prevent the calcification of the meaning and hierarchy of thought. "
The published works of Alberto Ramponelli-composed of three novels and two sets of accounts, can be read from this matrix, as ominous and sinister act as nuclei of the main stories in orbs where reality is always about to crumble and the reason is but a pretext to justify the irrational, while some characters hide unspeakable crimes or, well, have a double life.
a greater or lesser extent this happens in his five books, but in the three novels can be seen more clearly.

The last fire in (2001), Ramponelli combines three classic themes: vampires, the Faustian pact and double. Accompanying a character who wants to leave behind his past and calls himself "Carlos Olmos," the story takes place in an uncertain world of fantasy created under the Circo Romero. Concealing his identity, Olmos is tempted to exist in an area where a vampire steals the memories to make themselves and thus live forever in past times. Romero is a special monster, takes advantage of the last fire of old artists, who offered the illusion of eternal youth in the sands of his circus. Olmos discover this terrible secret and faces the dilemma of delivering his past (and stop being, as we are also what we have been), or, well, face the monster and a past that still awaits.

comes in the night (2004), the author presents the story of a girl killed during Argentina's military dictatorship (1976-1983) and addresses the crime and impunity describing rows of chain between individual and collective. One witness (who stopped by the fault does not intervene in time) and her daughter will be marked down their lives for this murder, because no one can have a vision of hell and come out with your soul intact. So the only way to achieve some peace is justice. But who fight against the father and daughter? Ramponelli the archaic voice warns: "Witches, were called in antiquity. Bruges, also calls now. O 'mentalists'. (...). Holders of the keys that open the gates of the netherworld, knowledgeable advance of becoming, makers of calamities and misfortunes, but also of the alleged happiness (at what cost?). "

In Notes for a biography (2009), Ramponelli run of this record, but not abandoning the Gothic look and deluded from reality, to introduce a complex character: Edward Echenique who, disguised as militant left, tries to develop a project that will transform esoteric bases in Argentina. "Phantom of ghosts, if any, Echenique is recreated by insiders, by witnesses and various speeches that, as we portray the character's personality, tell a story and the back of the world of cults, both political and esoteric operating in the shadows and we are all too familiar. Far
and manners of magical realism which seeks to pigeonhole Argentina fantasy literature in these three novels we can see that, perhaps, the best stories seem hopelessly disturbing our dreams. Because it is a literature-and again in the words of María Negroni, which leads to "improve the quality of the questions, let us, at the end of reading, with a hurtful and liberating insight: the promise that there will be sleep , provided we accept dream. "
Ironically, the originality of the work of Alberto Ramponelli late in addressing the age-old theme of fear and its opposite, desire, forging fictions uncomfortable operating in a territory that speaks to the present and enrich the best of world literature.
(*) Insomnia No. 161. May 2011. HERE