Getting A Job At Menchies

"Project Ivanov, winner New Contest Sudaca Border (Heloise Cartonera)

was selected by a jury chaired by Cucurto Washington, who said: "Project 'Ivanov', José María Marcos, is a story built into the current science fiction, approached from an unbiased eye. We loved it, because it is well written, with a current language. Each item is based on a story that manages to entertain with humor, imagination and delirium. " Texts are also chose Carlos Marcos, Julio Roberto Srur, Josefa Leandro Abella and Ferrol.

José María Marcos with the jury chaired by Washington Cucurto.

My story "Ivanov Project" was winner of the New Border Sudaca 2010 (short story) and will be published in the catalog publishing cooperative Cartonera Heloise. This was ruled a jury headed by Washington Cucurto and trained by Miriam Merlo, Alejandro Miranda, Ricardo Peña and Daniel Julian Gonzalez, members of the cooperative, to whom I am very grateful for the nomination. I admire the work done by Heloise Cartonera and proud join the venture.
The announcement was made on Saturday January 22, 2011, at the "No knife without roses", located at 666 Valley Aristobulus, the neighborhood of La Boca. Next to "Project Ivanov," were chosen works of Carlos Marcos (Seminal Vociferata Errantesible "), Julio Roberto Srur, Josefa Leandro Abella and Ferrol. It was reported that all were published during the first half of this year.
In the ad, Cucurto said: "Project 'Ivanov', José María Marcos is a story built into the current science fiction, approached from an unbiased eye. We loved it, because it is well written, with a current language. Each item is based on a story that manages to entertain with humor, imagination and delirium. "
then gave an overview of the philosophy of Cartonera Heloise, who was born in 2003, betting on solidarity and community work. By artisanal formats, has more than one hundred titles of various Latin American authors such as César Aira, Ricardo Zelarayán, Leonidas Lamborghini, Fogwill, Ricardo Piglia, Marcelo Cohen, Alan Pauls, Dani Umpi, Enrique Lihn, Fabián Casas, Ernesto Camilli, Arturo Carrera, Damian Rios, Glauco Mattoso, Sergio Bizzio, Leandro Avalos Blacha, Marcelo Guerrieri, Mario Bellatín, Elsa Drucaroff, Angela and Francisco Pradelli Garamone, among others.

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The

The announcement of the winners of the New Sudaca Border 2010 framework was in a relaxed and festive. Chart Labour Cooperative, Editorial and Heloise Cartonera Recycling Ltd. (as is his full name) decided to match the event with the first birthday of Margaret, and there was cake, music and even piñata for the present. Thanks for inviting us to be part Party!

Elosía Cartonera in full, and guests sing "Happy Birthday."

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Margarita birthday party pictures Sudaca Border

Mary and Margaret, Silvia Mancini, Carlos Miguel Ingoglia and Marcos.

The timing of the piñata.

Margarita in the center of the party.

cartonero Books catalog.

Ernesto Camilli, Maria and Margarita.

greet Miriam and Ricardo José María to the verdict.

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Leandro Ferrol, elected, with the jury.

Josefa Abella, another winner, happy with the ruling.

The jury along with the authors elected: José María Marcos, Carlos Marcos, Leandro
Josefa Abella and Ferrol. The only author who was not present
was Julio Roberto Srur, who is based in Finland.

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sea's face

monkey's face , Richard Curci (Macedonia, 2010, 204 pages).

By José María Marcos (*)

A well-known medieval legend, attributed to St. Augustine, a theologian has paced the shore thinking of the mystery of creation. In the midst of solitude, he saw a child drawing water from a cup, over and over again, and put it in a hole. Curious, the bishop came over and asked what he was doing. The boy replied that he was trying to keep all the sea in the well. The priest told him that was impossible, so the child he said: "Even more difficult is to decipher the mystery of God through a human mind." Argentine writer Ricardo

Curci, in 's face monkeys, do not try to unravel the mystery of God, but, yes, seeks to investigate the primitive that lies at the bottom of the human soul and that usually manifests in extreme situations thanks to the paranoia, dementia, or disposal. Ancestor of

The Homes and intermediate beings, this new book completes a kind of triptych of interconnected stories, with characters and scenes that appear and disappear with great ease. However, unlike their predecessors, central monkey's face is not supernatural, but the staging of the latent violence.

From the start, with the story "The Sea", the author makes us aware of what will arguably, with a murderer who is tired of his wife. And, also, raises the overall theme of the book: "The beach stretched huge and empty, windy spring. The waves, gray, pearl, fell over one another breaking on the beach, licking the sand and then return and merge into the new waves continually engendered. "

In the eighteen stories in this collection (a finalist in the Casa de las Americas Prize in Cuba 2008) many characters overwhelmed by their limitations and disturbances. Perhaps because, as in "Asylum", the sea is a threat and may even build on a graveyard and dig up the dead to show their ferocity and "the futility of life."

This obsession permeates the story and appears as if readers were in a beach watching a show forever. Another example of this fascination lies in "spa", "His voice was dark, the water was cold as the sea at dusk when the sun goes down and a cool breeze and unfriendly tells us not to enter, because we leave sea \u200b\u200bis closing in on itself. The sea is silent and is silent and not talk to humans. Something bigger is coming after dark, another life comes or comes from somewhere and are expelled with chills and an uncertain concern. Anything can happen then, the beach is emptied of people and the sea has become an inhospitable host who sows stones and creates teeth under water. " Associated with the endless succession of cycles and the transience of life, the sea is a very mythic element present even in the oldest stories in a religious interpretation, a legendary and supernatural. As God is incomprehensible. To Curci, as inexplicable as the human soul. And faced with this immense stands the word, because, as the Italian Alessandro Baricco, when you have a name for naming things, then the stories are born.

(*) Ezeiza's Word, page 6, Thursday January 13, 2011.